I decided it was time for some fun. And I really did have fun with this. I say enough of ho hum screen casts explaining things we already know. It’s time to do something revolutionary with our photos. Lets get really ugly. Enjoy… Gav
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by Gavin Seim: If you searched around, you’ll might have stumbled across the article I wrote some time back on PPS about installing Lightroom Presets. We photographers tend to be such visual people however and I felt a video would make it easier. We’ll cover installing organizing and backing up pretty much any kind of Lightroom preset. Brush presets, develop presets, you name it. Here it is.
Or, direct download MP4 HD video. 146MB, Right click and “Save As”
by Gavin Seim: I find myself fascinated with film of late. I don’t use it anymore, but I realize that some are pretty passionate about it. I posted on Pro Photo Show recently with a few thoughts and a poll on the topic. Quite a few still use film it seems. Why? Is it the texture, grain, color, or is it just the reminiscence of really old photographers? Kidding, not that old. I used film when I started out. By the time I started getting good however I had moved to digital, so those romantic feelings some have towards film are not strong in me.
I’ve been taking notice though. Thinking about how film looks and how we edit these days. Don’t get me wrong I love a well processed photo, but I’ve started experimenting a little. Making effects that use classic tones and film inspiration. Here’s an article I found where Travis Easton compared a MK2 digital file to a Velvia image. What’s remarkable to me, is how even without editing it the film image looks great. Here’s another look at film vs digital over on Luminous landscape.
Now I don’t intend to start shooting film, I just don’t think it makes sense. But understanding what makes a great image is my livelihood. I want to know what it is about film and use that knowledge to make my photography and my effects better. We should always learn from the past, even if it’s grainy.
As a test I decided to try for the Velvia look, so I spent awhile very subtly tweaking a LR preset. If you mouse over you’ll see the before/after of what I’ve come up with so far. You’re also likely to see more in future updates of my effects. Bottom line though. I think what we’ll see over time are the good things from both mediums converging and becoming a better digital than ever. Neither film or digital will be the same as the other, but I think the future of digital will look and feel great. What say you?
by Gavin Seim. Most of you who use my tools know that Lightroom is a big part of my system. I’ve put together a new workshop which I presented for the first time in October at the PPW conference. It’s a relaxed fun workshop where newbies learn the Lighrtoom ropes and veterans learn lots of new new tricks.
Learning is a huge part of what we do, so I also set up a new tab on the sites for my upcoming learning tools and workshops. Sometime a these will be multi day events in specific locations, but some like Lightroom Power will be a single day presentation that any group, organization or conference can bring me out to present at their event anywhere in the world.
At some point I may take this workshop on a tour as well. I’m also considering the possibility of doing a live online workshop. I have to look into the possibilities. You can follow the Seim Effects FB page for updates or join the newsletter. Visit the page for more workshop details.
It’s amazing how much information is in the files coming from today’s cameras. I’ve been looking at ways to bring out better dynamic range on single files and I find I can pull out more tones using LR than in Photoshop. Today I’ve made a video looking at using mask and Luminance tools to control tones. You can play below, or download the high-res version via the link. I’ll also be speaking on Lightroom at the PPW Fall Conference so if you’re in the region stop by… Gavin
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by Gavin Seim: I’m a Lightroom fanatic, but with my recent expansion into projecting proofs to sell larger prints and increase my sales, I started looking at software for projecting scaled images using my digital projector. The choices were limited. Whats being using now, is expensive software like Prism Projector, or Pro Select. These are good for some, but cost hundreds of dollars and have a bigger problem in that it throws a curve ball into a well planned workflow. They make us entirely leave Lightroom for the sales presentation. Not cool.
At first I couldn’t find a way, but I kept experimenting and finally I figured it out. I found I could make special print templates in Lightroom that could be scaled to the screen size and project images to size without ever leaving Lightroom. I call them Projectics.
I can’t tell you how excited I am about this. I’m now actively using Lightroom for my proof sessions with great results and no need for external software. No it does not have all the gimmicks and frills that some other sales apps do, but I for one don’t need those. I just need to project various images and sizes easily and effectively and that’s what LR can do. Using the scaled presets I can change sizes instantly. Then since I’m still in LR I can pick favorites, add things to collections, and even do edits without every leaving my workflow.
In the past I’ve written about using a separate Catalog for each job. There’s no rule you have to do things this way, but it makes more sense all the time. Since I’m sometimes in the studio and sometimes taking my Canon LV7370 on location, it keeps things really simple. I can simply copy the entire catalog for the session onto a portable drive and off I go.
Yes, I’ve made a collection of these presets to sell. Hey it’s what I do. You could make some yourself, but if that does not sound fun, I’ve done the math and tedious stuff and made a simple set that just works and will continue to be updated. Either way Lightroom is a powerful sales tool and I need no other sales software to proof, project and sell large prints. Oh and if you want to learn more about the sales concepts of all this, check out this article about selling large Wall Portraits.
Whether you get my presets or not I suggest you head over to the Projectics page and watch the video because it will show you how it all works and how I’ve integrated it into my workflow. The power of Lightroom keeps growing and I thrilled. Time is money, and projecting proofs is a key element in great prints sales and placing beautiful prints on your clients walls… Gav
by Gavin Seim: There’s plenty of info and a video on each product page of this site, but I wanted to make a post giving an overview of how I use Seim Effects in m fast photo workflow and what each collection is best for. I’ve found that having your workflow nailed down makes all the different in creative efficiency.
Power Workflow2: This is my starting editing tool, but certainly not the only one I use. Lightroom used with PW2 is the key to those fast 3hr wedding edit sessions I do. PW2 is a set of about 60 highly refined and organized presets that can be applied with a mousclick to one or thousands of images.
There’s categories, starting with the batch correction Super Series presets. I start my workflow by adding these to large batches of images from my session. This get’s me the basic but essential stuff like exposure, contrast and tone under control. There’s various Super Series presets depending on the shooting situation. Basically I pick the one that looks best for a batch of images and off I go. No rocket science yet. I may still have to do a few tweaks on a few images since no auto tool is perfect, but it get’s me close.
After the auto correction I sort down my images with a 3-5 star rating system. 5 being the best. I’ll then go over my favorite images and add other effects from the set. The Super Series is just the beginning. There’s lots of color and B&W effects to choose from and soon I have a nice variety.
MonoChromatix: Black and white can be so powerful. PW2 takes has some great monotone effects, but MonoChromatix takes it to the next level with a complete set of all monochromtic effects that perfectly complements PW2. When I think an image just looks great in B&W and want to get something really remarkable I’ll try some effects from this set until I find one that’s perfect. There’s everything from classic black and white to sepia, to infrared. I use these to get some really cool B&W looks, and it saves me the time of having to use a plugin in Photoshop.
Creative Essentials: Essentials is a great tool for someone who does not use Lightroom, but also for someone use mainlines in Lightroom and then does those special tweaks in Photoshop like I do. It’s simple and straighforward with some poerful tools.
Once my primary edits are done in LR I head to PS with a few of my favorite photographs. There’s things I can do in PS that just can’t be done in LR. Essentials is a great starter set of actions that includes a nice range of effects from tonal changes to really nice color tones, shatpening and softening effects.
Hollywood Effects: The set that started it all. It’s been thru some tweaks, but the name still says it pretty well. Hollywood and Essentals complement each other really well and when I head into Photoshop I use them both.
In Hollywood you’ll find plenty of cinematic glows, color modifiers and mood setters. Some of them can be intense, but since with my actions I make standard practice of having layers, masks and details, you can easily adjust the way an effect changes your image to get a totally unique look.
I keep a main workflow action set where my actions (as well as favorites from others) are saved in one set. Easy to manage and easy to backup. Then I put the action pallete into button mode and it’s like a console of photo tools a mouse click away.
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That about sums it up. As I work everything stays saved back into LR and when I’m done I just export the final results. Event those not using Lightroom can still move their workflow along much faster by having both action sets loaded and ready to fire.
It’s a complete workflow for Lightroom or PS users that does an important job. Giving us more creativity while making us faster. I’m always working to devise new workflow ideas and improve effects so stay tine. You’re also welcome to contact me with feeback or ideas… Gavin
